Sunday, April 11, 2021

Dead Butlers, Page 4

PAGE FOUR

Panel 1
A teenaged Jerome kissing his parents goodbye outside their family car. It’s tough to pin down a floating timeline, but let’s generally point at the Vietnam War era, so a popular ‘60s British car model, the Morris Minor. Jerome can be distinguished by a dignified look as his emotional mother hugs him, she and his father in their fifties. If you want someone balding in this family, it can be the father, complete with a mustache.

CAPTION: To be honest, I don’t often think of the young Jerome.

Panel 2
Typical boot camp scene of a drill sergeant screaming in the face of one of a long line of recruits. Jerome is staring stiffly ahead. He sports the same dignified look as the previous panel.

CAPTION: For you, going to war meant something entirely different.

Panel 3
On a run with his fellow recruits. Jerome is near if not at the front of the line. Still sporting that dignified look.

CAPTION: Which is sometimes easy to forget. For you, crime fighting might almost be considered a step down.

Panel 4
At the target range, where of course his shooting practice of evidence finds the target with precision as he looks on with that sane detached, dignified manner.

CAPTION: Since you never really talked about it (and, I’m sorry to say, I never asked), I never spent too much time thinking about it.

Panel 5
In a jungle, geared up, having been deployed.

CAPTION: I heard a few stories, like the excursions through Burma.

Panel 6
Though he’s not a medic, Jerome is applying bandages to an injured comrade.

CAPTION: A hero.

Panel 7
Visiting that same comrade in the recovery ward.

CAPTION: As I picture it, I honestly can’t think of anyone I would rather have watching my back in a war zone.

Panel 8
Saluting at discharge in full dress uniform, older, no less dignified.

CAPTION: And somehow you walked away from it in a heartbeat, and turned to entirely different pursuits.

Panel 9
The same age, standing at the gates of Hemingway Manor, his father, aging more rapidly, on the other side, welcoming him to his new life. For the first time we see a different look on Jerome’s face: awe.

CAPTION: Oh, to read a journal of your thoughts...

Saturday, April 10, 2021

Dead Butlers, Page 3

PAGE THREE

Panel 1
At last we see Jerome himself. I don’t like the bald Alfred. This is not a bald Alfred. This is the gray-haired Alfred we tend to see in the movies, so he probably looks a bit like Michael Caine. He is standing behind the young Sonny (this is two pages later but of course Sonny can be distinguished from a young Hemingway because he has the signature bang curls of the young Dick Grayson), seated at an actor’s mirror.

CAPTION: When I first came to live at Hemingway Manor, Jerome took me under his wing.

Panel 2
Jerome standing in the wings of a school auditorium stage as Sonny stands in front of an audience.

CAPTION: His favorite thing to tell me, in the early days, was, “Sonny, life’s a stage. We all play our part.”

Panel 3
Sonny in the wings of the stage being embraced by Jerome.

CAPTION: “Sometimes it’s easy to understand our role.”

Panel 4
Jerome handing Sonny a very different kind of costume, Soul’s (as described previously).

CAPTION: “And sometimes it isn’t.”

Panel 5
Jerome admiring Sonny in another mirror, looking at himself dressed as Soul for the first time.

CAPTION: “But the thing is to play it to the best of our ability.”

Panel 6
Jerome watching as Soul walks off with the Ferryman.

CAPTION: “We won’t always be in control.”

Panel 7
Jerome reading a newspaper proclaiming the first public appearance of Ferryman’s sidekick Soul (SENSATIONAL FIND OF THE CRIMEFIGHTING CENTURY!).

CAPTION: “Sometimes we are merely the audience. That’s important to remember.”

Panel 8
An excited Sonny running up to Jerome after a night running around as Soul.

CAPTION: “We are not always the star.”

Panel 9
Jerome handing Sonny, in the same moment, a script book, indicating Sonny still has to memorize lines for the next production.

CAPTION: “But that’s okay.”

Friday, April 9, 2021

Dead Butlers, Page 2

PAGE TWO

Panel 1
A handsome young actor kissing a beautiful woman on a movie screen in a darkened theater, with the heads of audience members visible.

CAPTION: To even begin to live up to everything you were, Jerome, it would take a legion.

CAPTION: The actor.

Panel 2
A soldier running through a forest. None of the individuals in these panels should look similar. They can vary in age, ethnicity, skin color, nationality. It’s kind of the whole point.

CAPTION: The soldier.

Panel 3
A young butler servicing his charge.

CAPTION: Butler to Hemingway’s father.

Panel 4
An older butler with a young boy.

CAPTION: Butler to the young Hemingway, a father, really, after the death of his parents.

Panel 5
A butler dusting a large room in a mansion setting.

CAPTION: Caretaker of an entire mansion.

Panel 6
A chef at work in a kitchen. What kind of kitchen and what kind of chef are at your discretion.

CAPTION: Preparer of every meal, for Hemingway, for me.

Panel 7
A butler with a serving tray at a large party of elite guests.

CAPTION: Host to the cream of society.

Panel 8
A man sitting at a computer.

CAPTION: Indispensable assistant to the Ferryman, and Soul, to me.

Panel 9
A dashing full-masked hero, sort of Errol Flynn Robin Hood.

CAPTION: And somehow, the Insider, the hero’s hero, seldom acknowledged.

CAPTION: The very best of us.

Thursday, April 8, 2021

Dead Butlers, Page 1

PAGE ONE

Panel 1
Pallbearers carrying a coffin. At the front are two men, one about forty the other thirty, both with black hair. Floating behind them are their heroic alter egos as kind of specters. The older, on the left, is Hemingway, a.k.a. The Ferryman, a black-costume cowl-with-no-ears version of Batman. The younger, on the right, is Sonny, a.k.a. Soul, a white costume variant of Robin (perhaps similar to what Damian wore when he debuted, complete with the hood attached to the cape).

CAPTION: In all the years I knew him, I’m not sure I ever actually said the words.

Panel 2
Pulling in on Sonny. This is a full body shot.

CAPTION: And for that I feel a terrible shame.

Panel 3
Closer in on Sonny. Perhaps only up to his torso.

CAPTION: “I love you.”

Panel 4
Closer in on Sonny. Perhaps just his face at this point.

CAPTION: “Thank you.”

Panel 5
Closer in on Sonny. Now just an eye.

CAPTION: “You were more of a father to me than he ever was.”

Panel 6
Pulling out again. The eyes are looking to the left as we again see the whole face.

CAPTION: “I don’t know how you ever found the time.”

Panel 7
Pulling out more. Now we see the torso, see that Sonny is seated in a church pew.

CAPTION: “I took you for granted.”

Panel 8
Pulling out more. Now we see Sonny, seated next to Hemingway, who’s facing forward, while Sonny continues to look to his left, in the center of the aisle.

CAPTION: “We all did.”

Panel 9
And so in the aisle, of course, now, we settle on the coffin, alone.

CAPTION: And I honestly don’t know what to make of a world without him in it.

Sunday, April 4, 2021

In the Mouth of the Lion

Believe.

Today I saw something I will never be able to unsee.

Today was another of the circus days. Everyone loves the circus days. Some people argue it’s all just distraction from the stuff that isn’t nearly as fun about life in the empire, but some people are always complaining, and, well, after a while you just learn to tune them out.

Me, I always loved the circus days. The best thing is to find the perfect spot in the stadium, so you can see everything. There’s nothing worse than showing up only to find the only available seating leaves you behind or adjacent to a post. Then you spend all day obsessing over the post.

Today I saw everything. I didn’t really think about posts. I thought about a lot of other things. I’m still trying to process.

I saw a man in the mouth of a lion. It wasn’t the first time. Yeah! That’s the circuses. You will see any and everything in them. It’s what passes for entertainment these days. Death as entertainment! Well, maybe it’s been going on for a while. I don’t know. I never really thought about it until now.

This wasn’t just another man. This was an older man. Amazing how such a simple distinction can change everything.

Later, I asked some questions about him. Usually they don’t really advertise the reasons. I mean, there are executions and then there are the circuses. Two separate things. We all know how you end up in the stadium. It’s no secret. It’s easier to watch when you know it’s never going to happen to you, I guess.

His name was Polycarp. He was one of those Christians. I never understood those people. You hear a lot of stories about them. Most of it is just a lot of gossip, a way to pass the time. I mean, all religions do strange things behind doors. They say Christians are cannibals. That one is certainly memorable. You’d never know to look at one. We get a lot of Christians in the stadium. Maybe I don’t know what a cannibal looks like. The Christians don’t look like what I would expect from one, I guess. They don’t act wild, I don’t know. 

I never really thought about it.

The stories. They say they’ve been around for less than a hundred years. To put that in perspective, it’s been more than a hundred years since Julius Caesar, his assassination. That’s still pretty memorable. There’s always a play about it, during the circuses. The versions always seem to get better. If I lived to see a hundred years, I’m sure I’d see a hundred better versions than I’ve ever seen. It’s just one of those stories.

The stories they say about the Christians, though. Well, it depends where you hear them. The popular histories are pretty dismissive. I mean, these are people at the bottom rung of society. The empire is not exactly going to waste its time tracking all that. The Jews themselves (sometimes it’s easy to forget Christians aren’t Jews), they seem actively repulsed by them. They’re even more dismissive, but probably to distance themselves, an act of self-preservation, which would be smart, considering that even that much is hardly enough to prevent their...involvement in the circuses...

They say we executed the first of them, less than a hundred years ago. Do I have the math right? It’s so hard to tell. Maybe a little over a hundred. Something like that. Very close. Anyway, this Polycarp was involved with them all his life, and he was friends with that first generation, which of course was there when the first of them was executed.

If that clears things.

One of the things I heard was that Polycarp timed his appearance in the stadium to coincide with the anniversary of that execution. The Christians have a name for it, but don’t ask me what. I can barely keep the Jewish holy days straight. If you’re a citizen of the empire, religion means festivals. They’re celebrations. 

The execution was carried out by one of our governors. They say he was a particularly brutal one, and there will always be talk about that sort of thing, justifying it to keep order in the empire and all that. To hear the Christian version of it, because of course now they want to at least sound like friends of the empire, the governor agreed to this execution reluctantly, as if he had no choice, as if the blame were someone else’s. Listen, the empire’s rule is absolute. The Christians can say what they want, believe what they want.

And as I said, they say a lot of things, believe a lot of things. Today, for whatever reason, I decided to listen. Okay, the reason was the old man, Polycarp, in the mouth of the lion.

I began to ask about him specifically. I learned that what I saw was exactly what he wanted. He welcomed it. He made the whole journey from Smyrna, apparently, quite willingly. It was a procession to him! Every stop he made along the way, he greeted his fellow Christians, many of whom made trips of their own to intercept him, never once attempting to avoid his fate, of which he was very clear from the start. 

It baffles me. 

This isn’t just defiance. They say the Christians believe they have a different fate, once they die, that whether as a combination of their faith or their conduct, that death is not the end. They will see something better than anyone living has ever known. I don’t even know what to say about that. Everyone wonders what follows death. Few welcome death itself. Certainly not the death of the stadium.

Yet that’s exactly what this Polycarp did. So I began to wonder. I started listening.

Death is not the end. And I began to wonder, did they expect to just return to life? Did they expect revenge? Did they expect justice for what had happened to them? Did they expect to revolutionize the world?

And then I thought about this man Polycarp again. This life he had led. What he had embraced. This impossible ideal.

And I saw maybe that was the whole point. Perfect selflessness. Impossible. And perhaps, even if terrible, as in the ending, how...sweet.

This was the antithesis of the circuses. This was not entertainment. 

This was life. In the mouth of a lion.

And so I reconsidered the Christians. I thought about the stories I heard. I thought about that execution. I thought about the kind of lives that were lived because of the man who had been executed, not because of the execution itself. The execution itself, what followed it, the anniversary of which this man Polycarp had timed his moment in the stadium to coincide with, perhaps something greater than the best performance of the assassination of Julius Caesar could ever hope to be...

You know, in those plays the key moment is always the betrayal of Caesar’s best friend. To hear the Christians speak of the execution, there’s a betrayal that resulted in that, too, but it’s detached from the moment, and even in the moment, this first of the Christians is said to be forgiving those who made that moment happen.

That’s what it’s all about. That’s what made me think so much about all this. That’s what this man Polycarp, in the mouth of the lion, did to make me rethink everything.

He forgave us. He forgave me. 

Who does that? A Christian, apparently.

And so I say now, believe. Believe what the Christians say. Believe. They have this figured out, regardless of how bizarre they make it sound. Probably the worst things said about them aren’t even true.

Believe. The most impossible things sound so impossible because they challenge everything. Not people. Ideas. The Christians believe not to aggrandize themselves, but to make a better world, with or without themselves in it. I don’t know. Maybe all this looks very different a hundred, two hundred, two thousand years from now. I don’t care.

At some point the play about the death of Julius Caesar finds its perfect words. But for these Christians, the message will never change. It’s trying to remember what Polycarp commemorated, that’s...

Believe. That’s all I say to you now. Believe.


Saturday, April 3, 2021

The Place of the Skull

Believe.

At this point it was many years ago. Many things have happened since. I was a young man. We were all young.

I was in search of the truth. I guess we all are, and we find our various answers, and it doesn’t seem to matter how much they contradict each other, and how divisive the results, how we can come to hate each other because of them. I found my truth at the Sea of Galilee, from a man who bellowed his every word. Such a man was difficult for some to appreciate, but those who did found him captivating.

The curious thing about him was how he spent all his time talking about someone else. “Someone else” was a common theme in those days. Ours after all was a religion of the future, the belief that some day everything would be better, that we were waiting for that one miracle, the man who would fix everything. 

When the man in the Sea of Galilee spoke like that, however, it sounded different. He spoke of hope, but also of the present day. He didn’t know when it would happen, but he spoke with such confidence, it was difficult not to get caught up in it.

So one day a man appeared, and some of us were quickly convinced that he was exactly who we were waiting for. He spoke with authority, too, but he mostly spoke of impossible ideals, not the established ones, but the kind you’d have to be a saint to embody. We realized the best way to have even conceived of them was to be something greater than even a saint. Some were brave enough to understand the truth of it without even being told.

Well. It’s the kind of truth that sounds impossible. In those days even the Romans were trading faith on the shoulders of their predecessors, a mere act of fealty, a gesture of respect. We had Zealots, and even our band had one of those, fanatics who didn’t believe in compromise, and prepared for every sacrifice.

I say “we” when in fact I was never courageous enough to be included in the closest of circles. Later I consoled myself by saying, this was something of a ripple, and the ripple journeys outward, and it journeys inward.

I was always at the fringes. I was kind of the first of the secondhand. 

Such was the moment of my most famous infamy, what I never talked about with anyone. I was there, you see, at the place of the skull. I saw it happen.

Most of our number had fled like cowards. We reasoned, we would have been executed, too, and the whole thing would have been lost. We had of course abandoned him in his hour of greatest need. He would have said such a sin had been necessary, but we had never been good enough to understand him, when he was living. Not really.

I was there. I saw him hanging. 

I saw from a distance. That was the point of those things, a highly visible phenomenon to act as a warning, so that you maybe thought better of your actions. Later, they did it as entertainment, a different kind of spectacle, to discourage, so you would avoid such a fate, or to humiliate you, cause you to recant in the hour of your death.

They didn’t seem to care if it failed. Eventually, they thought, it would. The candle would snuff itself. The movement would end. 

Ours never fanned, not in the way they so feared. We never took up the sword, the only thing they understood. Our king died, never having claimed his throne. That’s all they saw. I saw it the same way they did. I saw it on the hill. I saw it as the moment all was lost. I saw it as my failure. I saw it as the moment I drifted permanently into obscurity, a name that no one would remember, as if nothing at all had been accomplished.

As if I had never believed at all.

The day after it happened, when the body had already been taken down and laid in the tomb, I had already distanced myself. I saw none of my friends. As far as I was concerned, I no longer counted in their number. I was no better than a stranger. Everyone had done what I did, but I thought I was worse. I hadn’t been strong enough when he was alive, and no better when he was dying.

Then the next day a few of us saw him alive.

I heard about it from idle gossip. Much was made of the paranoid talk, from those who thought we would try to fulfill a prophecy, as if we were clever enough, even from the Romans who with irony went along with the conspiracies. I heard the gossip of tramps, of beggars. Just like those he had done so much, casually, in his revolutionary manner, to see themselves as worth something.

That was what I had become, perhaps what I had always been.

And when I heard, I sought my friends again. I was accepted back as if nothing at all had changed. In fact, I was accepted as a brother. I became counted. 

I can’t really explain any of it. I’m not good enough. But here I say, Believe. Don’t believe me. I’m nothing. Believe what I say. Believe in him. Believe his consequential life, his message. 

Believe.

Saturday, December 12, 2020

Women Watching Men

My mother’s name was Liao Lin. I almost died the day I was born, the same day she died, the day she was murdered by Edward Blake.

I was twenty years old when the Comedian died. I had traveled to America on a student visa while attending Dalat University, intending on a career in the arts. I didn’t know anything about the Comedian, but I knew everything about Edward Blake.

Blake was one of the many Americans who came to Vietnam believing they knew better than we did what was best for our country. They were consumed with an obsession to stop the spread of communism, embroiled in a Cold War with the Soviet Union they believed to have only one possible outcome. Somehow, even after the war we proved them wrong. I thought nothing of traveling to America on friendly terms, even if I had ulterior motives. 

For years I thought Blake was just another soldier. In Vietnam, in the community I grew up in, that’s all he was, an abusive lover who thought he could have his fun and leave without consequence, allowed to do what he pleased with total impunity. We knew not all Americans were like that. We were the “good Vietnamese,” after all, the side that fought with the Americans. We had no concept of superheroes. We thought Doctor Manhattan was a myth. 

Many years later I found a domino mask in my mother’s possessions, things that were saved for when I was ready. I was a headstrong young woman, then, not yet attending Dalat, convinced I already knew everything about the world. In America superheroes had already been banned. They were passing into the pages of history.

And then of course I came to America, and read an obituary in a newspaper, the death of a Comedian. Edward Blake.

History is a funny thing. You think you know what history is because there are books and textbooks and professors who will tell you all about it, sober commentators, documentaries, all of it. One day a giant alien squid changed history, and that is all anyone ever really found out about that.

In the fringes, of course, there was more. A tabloid journal printed what it purported to be the diary of Rorschach, a vigilante and former member of a team called the Watchmen. One of its members was Blake. Naturally I opted to take the journal at face value. It filled in all the blanks.

To the outside world it was paranoid delusion, dismissed at best as a hoax, at worst a sick joke, one more symptom of a diagnosed deluded mind, before his death finally caught and incarcerated with all the other criminals. I won’t disturb you with all the atrocities this man perpetrated over the years, all in the name of “justice.”

He claimed there was someone who did something even worse. Well, he had me at the Comedian.

Rorschach wrote how my mother wasn’t, of course, the only victim of Blake’s deprivations. Manhattan’s girlfriend. Actually, Manhattan himself, so troubled by the moral cesspool he saw all around him that he eventually outright forsook humanity.

And I thought back, again, on what had been done to me. I grew up without a mother, without a father, in a country that had been told for decades that it could not be trusted to handle its own affairs. My interest in the arts was a protective shield, a way to try and make some sense of a senseless world. To then finally learn that Blake was, throughout his life, actually considered a hero, let alone a superhero, it was difficult to process.

When my father shot my mother, he thought he was killing two people. He knew she was pregnant. All she wanted was for him to accept responsibility. He thought nothing of shooting her, of murdering her unborn child. He left the bar where it happened without a second’s thought, far more concerned about the face my mother had angrily slashed than whether or not he’d finished the job. In one sense he had. And yet in another, he hadn’t.

My mother had been far enough along that, even if premature, even if literally forced into the world, I still had a fighting chance to survive. And somehow I did. I’m told I remained small for my age for years, that the doctors constantly warned my guardians I had a “failure to thrive.” But somehow I persisted, perhaps because I had no idea, until later, how horrific my origins had been.

It was the day I found that mask. In Vietnam we have no such traditions. It meant nothing to me, and still meant nothing when my friends attempted to explain about American superheroes, even when they referenced the Comedian himself. All I had of my past was the name Edward Blake, and later what he had done to my mother. 

I sought peace in America. I wanted to find out if Blake indeed was a monster or if there was some other explanation. I sifted through service records. I saw how Manhattan had been brought into the war as propaganda. And how Blake had been used, and how the moment he was no longer useful, discarded.

And somehow I allowed myself to see that as the basic pattern of his life, that perhaps he could be understood, if not forgiven. And perhaps I could find peace, at last, with my mother’s memory. Somehow I doubt she knew any of this. She would not have known what that mask represented. Or that she had forced him to wear a different one, until, broken, he quit trying to hide altogether, the punchline to his own joke. Which, perhaps, had been the point all along.

He was already dead before I had a chance to meet him. The whole story was over; I was just an observer, watching the aftermath unfold, surrounded by oblivious people living in a world they didn’t understand. Same story as it ever was. Convinced they were living in a better world.

Well.