Saturday, December 22, 2018

Crisis Weekly #9

PAGE ONE

Panel 1 (splash)
Doomsday and Bloodwynd are clashing.  This is during the epic “Death of Superman” storyline, specifically the infamous Superman #75 itself.  There’s devastated Metropolis around them.  This page evokes, funny enough, Avengers: Infinity War, Captain America using both hands to hold back Thanos’ one hand.  I love that image.  I feel no compunction against borrowing it.  Bloodwynd has the same determination and strain showing on his face as Cap, Doomsday as he was during that whole storyline in full beast mode, roaring at him.

TITLE: “The Man Comes Around”
WRITER: Tony Laplume
 

PAGE TWO

Panel 1
Bloodwynd, in his present-day civilian guise, sitting at a desk in a darkened office.  He looks incredibly moody.

CAPTION: What they never talk about is the aftereffects of the superhero life.

Panel 2
A figure from behind about to open the door to this office.  We see on the glass the words BLOODWYND INVESTIGATIONS.

CAPTION: The toll it takes on you.  What it takes from you.

Panel 3
We’re still peering from behind the figure after he’s opened the door, and Bloodwynd is rising to his feet, a grimace of pain on his face.

CAPTION: Put another way, the names you’re most familiar with can be summed up thusly: they are the survivors.

Panel 4
Bloodwynd is offering his hand to the figure, whom we can see clearly for the first time, and suddenly we see quite brilliantly, as he wears a superhero costume, a bright gold one, a mask that covers his whole face (in the mode of Mister Miracle or Batman Beyond, so we can still see his mouth, in whatever way physics is supposed to explain that).  He’s got pearl white embellishments, including a belt, a plain circle on his chest, gloves and boots.  If you feel all this ought to be reflected in the previous two panels, so be it. 

CAPTION: They’re the ones who have emerged relatively unscathed by this life.  They were not maimed by the experience.

CAPTION: Not all of us are so lucky.

BLOODWYND: Zion.
 

PAGE THREE

Panel 1 (splash)
Like Superman #75, the Doomsday pages are all splash pages.  This also continues the alternating pattern of Crisis Weekly #8, including the silent nature of the flashback pages.  This page looks like the kind of action we’ve seen before in Crisis Weekly; Bloodwynd is unleashing his eye-blast powers on Doomsday.
 

PAGE FOUR

Panel 1
Present-day Bloodwynd is gesturing for Zion to sit down.

CAPTION: There are many obscure names I could recite, here, to give you an idea.  I have no doubt I would be among them, were someone else reflecting on this now.

BLOODWYND: Have a seat.

Panel 2
Bloodwynd and Zion are now seated in the office.  It remains darkened.  This is nighttime.  Zion’s costume somewhat adequately illuminates the panel.

CAPTION: But there are names you will recognize, too.

BLOODWYND: Naturally I was pleased when I learned you wanted to offer your assistance.

Panel 3
They continue to sit conversing.

CAPTION: There was a crisis that claimed two of our number, Ralph Dibney and Ray Palmer.  It was a complicated affair, but suffice to say, neither was ever the same again.

BLOODWYND: So few have wanted to talk with me about these matters.

Panel 4
They continue to sit conversing (Zion will be talking soon, worry not).

CAPTION: Dibney, the Elongated Man, was at one time known as one of the brightest of us.  Few enough of us know how his story ended, but it did end.  And it never continued.  This may sound like a redundant statement.  Sadly, it is not.

BLOODWYND: We have allowed fear to dictate events.

Panel 5
They continue to sit conversing (it won’t be on this page, however).

CAPTION: Palmer, the Atom, eventually was found, in the kind of microscopic reality he had obviously claimed as sanctuary, but had previously been merely the realm he was uniquely suited to explore.  He had walked away.

BLOODWYND: And it has compromised my efforts.  It has compromised all of us.

Panel 6
They continue to sit conversing.

CAPTION: He emerged a few times, nurtured a successor at times.  But he was never the same.  Eventually he hung up the costume.  But even that didn’t stop it from happening again, and I fear that this time we will have lost him permanently.

BLOODWYND: So again, I deeply appreciate your coming here tonight.
 

PAGE FIVE

Panel 1 (splash)
Doomsday is unleashing one of his devastating concussive blows on Bloodwynd, sending him flying.  This was a monster that decimated a Justice League with ease.
 

PAGE SIX

Panel 1
Close-up of Zion.

ZION: You needn’t be so kind.

Panel 2
Close-up of Zion.

ZION: We have all been compromised by the White Martians, and we haven’t even begun to understand the scope.

Panel 3
Close-up of Zion.

ZION: Not only in terms of who is secretly a White Martian, some of whom don’t even know it yet, but those who have chosen to align with them.

Panel 4
Close-up of Zion.

ZION: I came here tonight with some very specific intel that you’re going to find interesting: the President of Mexico, the Caballero, is a collaborator.

Panel 5
Close-up of Zion.

ZION: And what’s more, as El Dorado has been speculating, as I know he’s told you already, the Caballero is directly responsible for the Man-Bat crisis.

Panel 6
Close-up of Zion.

ZION: So it was no coincidence, the White Martian assault Martian Manhunter and President Reilly endured at the Capitol, under the guise of Man-Bat acolytes.

Panel 7
Close-up of Zion.

ZION: I can only speculate as to the identities of other White Martian infiltrators.  Except one, and I’m sure you will find this interesting as well.

Panel 8
Close-up of Zion.

ZION: You’re sure you’re ready for a bombshell?

Panel 9
Close-up of Zion.

ZION: Karma.

ZION: The so-called new champion of the world.  President Reilly’s so-called new best friend.

ZION: Yeah.
 

PAGE SEVEN

Panel 1 (splash)
Bloodwynd looks on with horror, in a prone position from the last horrible blow we saw, as Doomsday comes springing at him with both bone-protruding hands clasped together ready to strike again.  Crucially, we see Bloodwynd attempting to protect himself by bringing his legs upward to his chest. 
 

PAGE EIGHT

Panel 1
Close-up of Bloodwynd.

BLOODWYND: I had suspected both of these things.

BLOODWYND: I assume you have proof?

Panel 2
Close-up of Zion.

ZION: Of course.

Panel 3
Close-up of Bloodwynd.

BLOODWYND: I was tasked with ending a crisis before it truly began.  I haven’t been entirely successful.  The assault at the Capitol, even shielded from the media, is proof enough of that.  Eventually, even that will be known. 

Panel 4
Close-up of Bloodwynd.

BLOODWYND: We have been on the defensive this whole time.  I am more than a little tired of this.

Panel 5
Close-up of Zion.

ZION: Even superheroes can’t prevent bad things from happening.

Panel 6
Close-up of Bloodwynd.

BLOODWYND: By the very nature of our work.  Some confuse this point, and some are all too happy to exploit it.  They fundamentally misunderstand…

Panel 7
Close-up of Zion.

ZION: Bloodwynd, I know.  I know what this life cost you.  Why you now run your affairs out of an office.  Why you retired the costume.

Panel 8
Close-up of Bloodwynd.

BLOODWYND: I don’t speak of that.  

Panel 9
Close-up of Zion.

ZION: Relax.  I’m not here to hurt you.  I’m not going to expose you.
 

PAGE NINE

Panel 1 (splash)
Doomsday’s blow has landed.  Bloodwynd’s left leg has been completely shattered, and we see him howling in pain.
 

PAGE TEN

Panel 1
Close-up of Bloodwynd, who suddenly looks angry.

BLOODWYND: Do not threaten me. 

BLOODWYND: I know your secret, too, Zion.

Panel 2
Close-up of Zion.

ZION: Relax, okay?  I told you already, I am not looking to hurt you.

Panel 3
Close-up of Zion.

ZION: That has no relevance to these matters.  You can trust me.  No one knows what I know, what I don’t choose to tell them.  I have a great many secrets.

Panel 4
Close-up of Bloodwynd.  This is a silent panel.  He doesn’t look entirely mollified.

Panel 5
Close-up of Bloodwynd. He still has a scowl on his face.

BLOODWYND: It was not necessary to bring it up in the first place.

Panel 6
Close-up of Bloodwynd.  He still looks angry.

BLOODWYND: If you do not wish to threaten, please attempt to practice that discretion of yours.

Panel 7
Close-up of Zion.

ZION: And they say I don’t play well with others…

Panel 8
Close-up of Zion.

ZION: You know, there’s a reason, other than the obvious, why you were never exactly considered a team player.

Panel 9
Close-up of Zion.

ZION: And I’m not talking about your brooding nature.  I know all about brooding.  Brooding doesn’t alone prevent fruitful partnerships.
 

PAGE ELEVEN

Panel 1 (splash)
The broken Bloodwynd watches, in agony, from the ground as Superman slams into Doomsday.  The beauty of Superman #75 and its all-splash page glory is that there’s plenty of room around the action for moments like what we’ve been experiencing, Bloodwynd’s perspective on that momentous occasion.
 

PAGE TWELVE

Panel 1
Close-up of Zion.

ZION: And since we were already on the subject, it’s about trust, Bloodwynd.

Panel 2
Close-up of Zion.

ZION: From the moment you emerged, your whole time with the Justice League, you kept up a thick wall of silence. 

Panel 3
Close-up of Zion.

ZION: You never let anyone in.  You kept everything about yourself a big secret, a mystery.

Panel 4
Close-up of Zion.

ZION: And listen, I know about keeping secrets.  That’s my whole gig.  But that was taking it just a little too far.

Panel 5
Close-up of Zion.

ZION: They never even knew what else to call you, something other than “Bloodwynd”!  Anything!

Panel 6
Close-up of Zion.

ZION: So don’t sit there now and put on your wounded act and try to claim that it’s anything I said or implied or brought up that’s causing you to once again build your wall and isolate yourself, pal.

Panel 7
Close-up of Zion.

ZION: Because it’s not going to fly.

Panel 8
Close-up of Zion.  A silent panel.

Panel 9
Close-up of Zion.

ZION: We clear?
 

PAGE THIRTEEN

Panel 1 (splash)
Bloodwynd, grimacing all the more, is pulling himself up, clutching his leg.  It’s clear he won’t be able to stand on it.
 

PAGE FOURTEEN

Panel 1
Close-up of Bloodwynd.  He doesn’t look angry.  He has reverted back to his usual passive look.  A silent panel.

Panel 2
Close-up of Bloodwynd.  Same expression.

BLOODWYND: Thank you.

Panel 3
Close-up of Bloodwynd.

BLOODWYND: You have no idea how refreshing honesty is.

Panel 4
Close-up of Bloodwynd.

BLOODWYND: I needed to be sure I could trust you.

Panel 5
Close-up of Bloodwynd.

BLOODWYND: Rest assured, I would expect nothing less than what I have just endured from someone I am willing to trust.  It is, perhaps, something I picked up from the Martian Manhunter.

Panel 6
Close-up of Bloodwynd.

BLOODWYND: I never…had a secret identity.  My life has been a complicated one.

Panel 7
Close-up of Bloodwynd.

BLOODWYND: Call me Joe.

Panel 8
Close-up of Bloodwynd.

BLOODWYND: What do I call you, other than “Zion”?

Panel 9
Close-up of Zion, his mask peeled up above his mouth now.  We see that he has a brown mustache.  He’s flicking a match.

ZION: Malone.
 

PAGE FIFTEEN

Panel 1 (splash)
The famous final image from Superman #75, Lois cradling the dead Superman as Bloodwynd (he really is there in that image, too) and others observe.  We now catch no glimpse of pain on Bloodwynd’s face.  He once again has that steely resolve, that passive look.
 

PAGE SIXTEEN

Panel 1
Zion is leaving Bloodwynd’s office.  Bloodwynd is standing.

CAPTION: There are scars that are a little more literal than the ones endured by Ralph Dibney, by Ray Palmer.

Panel 2
Bloodwynd is once again alone, and has seated himself back down. 

CAPTION: During the Doomsday crisis, I endured something terrible.

Panel 3
Bloodwynd is still seated in darkness.  His expression has now settled on pain.

CAPTION: We all did.  Superman died.  I understand this.

Panel 4
Bloodwynd is reaching toward his left leg.

CAPTION: I have carried the pain of that day with me ever since.  I have never detected comparable residual effects in anyone else who was there, not even Superman, who came back from the experience apparently totally unscathed.  Not even Guy Gardner, whose face was smashed.

Panel 5
Bloodwynd is now rolling up his pant-leg.  We see his prosthesis for the first time.  It attaches at his thigh.

CAPTION: I don’t mean to suggest that I believe everyone else forgot, or that they don’t suffer psychological scars.

Panel 6
Bloodwynd has detached the prosthesis, and we see him staring at his stump, a blank expression on his face.

CAPTION: Anyway.  The worst of it is that I know what no one else knows.  Doomsday’s ultimate purpose.  And that he is coming back to finish what he started.

Saturday, December 8, 2018

Crisis Weekly #8

PAGE ONE

Panel 1
A Green Martian on the surface of Mars, throwing a glowing red diamond (it looks exactly like the one on Bloodwynd’s costume, as it…is) into the sky.  The Green Martian has a wild, determined look about him.  This Green Martian is in fact J’onn J’onzz, the Martian Manhunter, looking like the wild alien look DC artists have developed over the years, rather than the human look we’ve come to know, or even his present, Westmoresque look.

Panel 2
The diamond is rocketing out of orbit of Mars.

Panel 3
The diamond continues its journey through space.

Panel 4
The diamond now hurtles into the atmosphere of…Earth.

TITLE: “Man of Constant Sorrow”
WRITER: Tony Laplume
 

PAGE TWO

Panel 1
Martian Manhunter in the present, in the chambers of the US House of Representatives at the Capitol.  He’s in his superhero form, and beside him, in her civilian form, is President Reilly.  They’re standing at the speaker’s podium, where the State of the Union address is made annually.  They’re otherwise alone.  Reilly is staring out at the empty seats in front of them.

CAPTION: Chambers of the House of Representatives, US Capitol.

LORRAINE REILLY: Place gives me the creeps, even without considering the pressure I’ll be under in a few weeks, delivering the State of the Union…

LORRAINE REILLY: Or my many opponents, sorry, political colleagues, who’ll be filling it, sitting on their hands…

Panel 2
Reilly has turned to look at Martian Manhunter.

LORRAINE REILLY: Sorry, you were saying?

LORRAINE REILLY: Lost in my own little world.  I’m sure you understand.

Panel 3
Martian Manhunter gives Reilly a look.

Panel 4
Martian Manhunter begins to levitate in the air, clearly lost in thought as he begins to speak.

MARTIAN MANHUNTER: We called it the blood diamond.

Panel 5
A crowd of congressmen (to be clear, men and women) enters the chambers, startling Martian Manhunter and Reilly.

LORRAINE REILLY: Ah!  And here we were, expecting the place to ourselves.  A rare pleasure, I know, but still…

Panel 6
The congressmen are transforming into Man-Bats!
 

PAGE THREE

Panel 1
The diamond smashes into a tobacco field, at night.

Panel 2
At daybreak, we see slaves, in the American South, walking into that field.

Panel 3
The slaves are getting to work, with an angry overseer near them.

Panel 4
With the sun setting again, the slaves are becoming tired.

Panel 5
One of them stumbles across the diamond, which has dulled.

Panel 6
We see the slave still has it when he’s returned to his hut, and is holding it protectively, hiding it from the other slaves he shares the hut with.
 

PAGE FOUR

Panel 1
Martian Manhunter and President Reilly, who has now transformed into Firehawk, are fighting the Man-Bats.

MARTIAN MANHUNTER: It was the most deadly weapon we ever conceived, and it was used for one purpose.

MARTIAN MANHUNTER: To defeat, once and for all, the White Martian menace.

Panel 2
The fight continues.

MARTIAN MANHUNTER: Or so we thought.

MARTIAN MANHUNTER: Or perhaps merely hoped.

Panel 3
The fight continues.

MARTIAN MANHUNTER: To our everlasting shame.

MARTIAN MANHUNTER: Or, perhaps, merely mine.

Panel 4
The fight continues.

MARTIAN MANHUNTER: Madam President, I must say, I admire how you are throwing yourself at this.  One does not often think of commanders-in-chief leading fights so directly.

LORRAINE REILLY: C’mon, J’onn.  You know me better than that!

LORRAINE REILLY: Besides, I like to think of it as “aggressive negotiations.”

Panel 5
The fight continues.

MARTIAN MANHUNTER: Pardon me?

LORRAINE REILLY: Just something I learned from one of my favorite movies.

Panel 6
The fight continues.

MARTIAN MANHUNTER: Ah.  Quaint.  One of humanity’s quirks I have yet to master.

Panel 7
The fight continues.

LORRAINE REILLY: Quoting movies?

MARTIAN MANHUNTER: Movies in general.
 

PAGE FIVE


Panel 1
We see the slave returning to the hut after another long day.

Panel 2
The slave is making up his mind as he sits.

Panel 3
He’s now showing the diamond to the other slaves in the hut.

Panel 4
They share a conspiratorial look.

Panel 5
The diamond begins glowing bright red again.
 

PAGE SIX

Panel 1
The fight continues.

MARTIAN MANHUNTER: Our mutual friend once told me about his origins.

Panel 2
The fight continues.

MARTIAN MANHUNTER: It didn’t take me long to make the connection between the diamond my people once possessed and the one that gave him his powers, that he wore boldly affixed to his costume.

Panel 3
The fight continues.

MARTIAN MANHUNTER: But he still had much to tell me, and I found myself quite astonished. 

MARTIAN MANHUNTER: For although I knew what the diamond had been created to accomplish, clearly it had since developed…still more interesting properties.

Panel 4
The fight continues.

MARTIAN MANHUNTER: I almost don’t believe it even now.

Panel 5
The fight continues.

MARTIAN MANHUNTER: Later, when I wore the diamond myself, when we were…reunited, as it were, with Bloodwynd trapped inside it, I felt the new power myself.

Panel 6
The fight continues.

MARTIAN MANHUNTER: It was overwhelming.
 

PAGE SEVEN

Panel 1
The bright red diamond sits by itself at night, although the slaves are all huddled near it, almost as if it were giving them warmth (which it probably is, too), but perhaps more out of the hope it represents.

Panel 2
The diamond begins to glow brighter, lighting the whole hut.

Panel 3
This panel is red; the diamond’s glow has eclipsed everything.

Panel 4
The light has receded, and in its place…a baby.  A black infant, created by the diamond, perhaps out of all that hope.

Panel 5
The slaves have woken up and are startled by what they see.  The diamond has dulled again, exhausted for the moment from its labors, as it were.

Panel 6
The original slave we followed has picked up the baby, and is smiling, but a steely look in his eyes.  He suspects they will have a powerful new weapon to use against their masters.


PAGE EIGHT

Panel 1
The fight continues.

MARTIAN MANHUNTER: Somehow, the diamond had produced human life.

LORRAINE REILLY: Makes Bloodwynd’s origins sound almost like Diana’s.

MARTIAN MANHUNTER: I suppose.

Panel 2
The fight continues.

MARTIAN MANHUNTER: But Diana had the Amazons about her.

MARTIAN MANHUNTER: People who knew what she was.

Panel 3
The fight continues.

MARTIAN MANHUNTER: The people Bloodwynd was born into…neither he nor they were so fortunate.

Panel 4
The fight continues.

MARTIAN MANHUNTER: His was a painful childhood.

MARTIAN MANHUNTER: Diana’s mother fought to keep her daughter sheltered.

MARTIAN MANHUNTER: Bloodwynd had the weight of the world on his shoulders from the start.

Panel 5
The fight continues.

LORRAINE REILLY: I know a little of that.

LORRAINE REILLY: A little.

Panel 6
The fight continues.

MARTIAN MANHUNTER: Of course.  I nearly forgot.  No one should have a father like that.

MARTIAN MANHUNTER: Who put you through what he did.

MARTIAN MANHUNTER: Even if it made you who you are today. 
 

PAGE NINE

Panel 1
The young Bloodwynd, three years old, watching with his eerie white eyes as his “father,” the slave we’ve been following, leaves the hut, looking if anything more beaten than before.  Bloodwynd is crying.

Panel 2
Bloodwynd, roughly aged six, is standing beside his father, eyes clenched in concentration.  Clearly his father is expecting something from him.

Panel 3
Bloodwynd, roughly aged fourteen, in the fields with his father. 

Panel 4
An overseer is harassing Bloodwynd’s father, who is looking pleadingly at Bloodwynd, who looked horrified that he really can’t do anything to help.

Panel 5
Bloodwynd, same age, and father in the hut.  The father looks angry at Bloodwynd.

Panel 6
Bloodwynd’s father is throwing the diamond out of the hut.
 

PAGE TEN

Panel 1
The fight continues.

LORRAINE REILLY: I prefer not to dwell on the past.

Panel 2
The fight continues.

MARTIAN MANHUNTER: Granted.  And that is one of the many attributes I admire about you.

Panel 3
The fight continues.

MARTIAN MANHUNTER: I wonder, where is Karma, our fearless protector?

Panel 4
The fight continues.

LORRAINE REILLY: I also prefer not to be catty.

LORRAINE REILLY: But I’ve been thinking the same thing.

Panel 5
The fight continues.

LORRAINE REILLY: Karma, who shamed Wonder Woman into seclusion.

Panel 6
The fight continues.

LORRAINE REILLY: What else do you know about Bloodwynd?
 

PAGE ELEVEN

Panel 1
Bloodwynd, still the same age as we last saw him, is walking into the night, alone.

Panel 2
Clearly he wasn’t looking for the diamond.  He probably was never even told about it, about the circumstances of his birth.  All the same, his foot connects with it.

Panel 3
He looks down at the diamond.

Panel 4
He picks it up, looking intently at it.

Panel 5
The diamond begins to glow brilliantly again.

Panel 6
And Bloodwynd finds himself levitating for the first time, a startled expression on his face.
 

PAGE TWELVE

Panel 1
The fight continues.

MARTIAN MANHUNTER: At some point, he learned the diamond’s secrets for himself.

Panel 2
The fight continues.  (Here I almost feel it’s necessary to remind you that Martian Manhunter and President Reilly/Firehawk are fighting Man-Bats in the chambers of the House of Representatives.)

MARTIAN MANHUNTER: I’m sure it was a momentous occasion, learning the truth of oneself for the first time.

MARTIAN MANHUNTER: Martian technology is embedded with the same psychic qualities as the Martians had themselves.

MARTIAN MANHUNTER: I have no doubt that he knew as soon as he touched it.

Panel 3
The fight continues.  (See?  Fresh.)

LORRAINE REILLY: Must have made cooking extremely interesting.

MARTIAN MANHUNTER: Ah.  Quite. 

MARTIAN MANHUNTER: Perhaps explains my interest in Oreos.

Panel 4
The fight continues.

LORRAINE REILLY: So…then he led a massive slave revolt history never recorded?

MARTIAN MANHUNTER: You know, sarcasm is another thing I have yet to master.

Panel 5
The fight continues.

MARTIAN MANHUNTER: Obviously, that’s not what happened.

Panel 6
The fight continues.

MARTIAN MANHUNTER: No, the Emancipation Proclamation intervened.
 

PAGE THIRTEEN

Panel 1
From the sky, Bloodwynd watches as the ex-slaves leaves the tobacco fields.  He looks for his father in the massive crush of suddenly jubilant souls.  The diamond has taken its place on his chest, where it sits on his later costume as well.

Panel 2
He’s touching back down to the ground, parting the ex-slaves around him.  Everyone looks happy to see him.  They were freed and basically got Superman, years before Superman, all in the same day!

Panel 3
But Bloodwynd has now found his father, who unlike everyone else looks angry.

Panel 4
Obviously his father is letting loose a stream of insults at Bloodwynd, who has hardened his expression.

Panel 5
Bloodwynd is flying off again, alone, unnoticed.

Panel 6
Bloodwynd is once again hovering above the fields, which are now empty.  He looks sad.
 

PAGE FOURTEEN

Panel 1
The fight continues.

MARTIAN MANHUNTER: Here he was, having finally discovered his birthright, his destiny and…

Panel 2
The fight continues.

MARTIAN MANHUNTER: The war was won without him.

Panel 3
The fight continues.

LORRAINE REILLY: It’s not often I’m going to say this about the end of slavery in America, but how awful!

Panel 4
The fight continues.  A silent panel as they both try and process what they’ve been discussing.  And, y’know, concentrate on fighting Man-Bats.

Panel 5
The fight continues.

MARTIAN MANHUNTER: And from there…

MARTIAN MANHUNTER: He prefers not to talk about it. 

MARTIAN MANHUNTER: Drifting in Reconstruction America, the turn of the century, Jackie Robinson, the Civil Rights era, the assassination of Martin Luther King, Jr…

Panel 6
The fight continues.

LORRAINE REILLY: And then he joins the Justice League.  A man without a past, a true man of mystery…
 

PAGE FIFTEEN

Panel 1 (splash)
The massive hand of Doomsday as it smashes, partially gloved in the green containment suit, partially exposing those gnarly spikes of his on the knuckles…It’s the iconic debut as readers first encountered him.

SFX: SMASH!
 

PAGE SIXTEEN

Panel 1
The fight continues.

MARTIAN MANHUNTER: And then Doomsday.

Panel 2
The fight continues.

LORRAINE REILLY: Then Doomsday.

Panel 3
The fight continues.  Another silent panel of contemplation.  And fighting Man-Bats.

Panel 4
The fight continues.  Finally we see a thinning of the Man-Bat crowd.

MARTIAN MANHUNTER: Has it occurred to you what we’ve been fighting all this time?

Panel 5
Reilly blasting one of the remaining Man-Bats.

LORRAINE REILLY: These weren’t Man-Bats at all.

LORRAINE REILLY: They were White Martians all along.

Panel 6
Martian Manhunter and President Reilly stand among the bodies of their fallen opponents, defeated, and indeed now in the form of White Martians…

MARTIAN MANHUNTER: Indeed…

Saturday, December 1, 2018

Crisis Weekly #7

PAGE ONE

Panel 1 (splash)
Teenagers sitting around a living room.  They look completely bored.  There are red plastic cups everywhere, junk food, bits of popcorn.  But this is no ordinary gathering, this is the Crisis Compact!  Included in the bunch are Rachel Rogerson, our school shooting survivor; Donna Force, that precocious ‘90s brunette who emerged from the Bloodlines annuals as a second-tier DC youth known as Sparx; a Japanese dude named Liger whose hairstyle is a lot like Han’s from the Fast & Furious movies; and an awkward-looking girl named Vanessa Holly.

CAPTION: Rachel Rogerson (Bulletproof)

CAPTION: Donna Force (Sparx)

CAPTION: Liger (Flick)

CAPTION: Vanessa Holly (Latch)

CAPTION: Months later.

CAPTION: In the end, I transferred to a different school.

CAPTION: I just couldn’t deal with it.

CAPTION: I couldn’t keep studying somewhere where something like that had happened.

CAPTION: I couldn’t stand everyone constantly bugging me, about surviving.

CAPTION: I couldn’t stand everyone trying to make a crusade out of it.

CAPTION: So what did I do?

CAPTION: I let a bunch of dumb kids at another school convince me to join a superhero team.

TITLE: “Story of My Life”
WRITER: Tony Laplume
 

PAGE TWO

Panel 1
Close-up on Rachel.

CAPTION: I can’t even. 

CAPTION: They call me Bulletproof.

Pane 2
Close-up of Donna.

CAPTION: That’s Donna.  Sometimes called D.C.  If we’re talking practical superheroing experience (whatever that means), she’s the unopposed GOAT in our team, and of course the one who nagged us into existence as a team.  Says she used to be BFFs with Superboy, not that anyone talks about it anymore (except her).

Panel 3
Close-up of Liger.

CAPTION: That’s Liger.  Japanese transfer student.  Loves manga, still trying to convince me that reading the stuff backwards isn’t completely backwards.  Has no powers, as far as I can tell, a full-on cosplayer, and also a raging alcoholic, the only one of us simultaneously supporting and breaking the law with ridiculously intense vigor (makes Donna look like a poser, if you can imagine).

Panel 4
Close-up of Vanessa.

CAPTION: That’s Vanessa.  I guess she has an alien parasite?  She keeps going on and on about what a nightmare it is, on top of all her other million insecurities.  Claims it’s from Venus and that it kind of transforms her into a total babe?  But it only makes her even more awkward in her own skin. 
 

PAGE THREE

Panel 1
Close-up of Donna, suddenly perking up.

DONNA FORCE: Guys!

Panel 2
Still looking excited.

DONNA FORCE: We’re wasting the whole day!

VOICE (off-panel): Duh!  We’re teenagers.

Panel 3
Donna is looking at whoever spoke (I suppose by direction we could reasonably assume who, and it was probably Liger, so orientate accordingly, including the above word bubble) with an exasperated expression.

DONNA FORCE: Kids these days.

Panel 4
Donna perking up again.

DONNA FORCE: I hereby call to order the first official team-up of the Crisis Compact!

Panel 5
Donna looks deadly serious now.

DONNA FORCE: Guys, something needs to be done. 

Panel 6
Same as previous panel.

DONNA FORCE: I believe that there’s a conspiracy afoot.

Panel 7
Same as previous panel.

DONNA FORCE: The same forces that assassinated the president are also working with the White Martians, are also working with Man-Bat, are also working with the Mexican president, the Caballero, are also working with none other than…Jack Ryder!  Who runs the Bully Boys gang!  Who is actually…the Creeper!

Panel 8
Same as previous panel.

DONNA FORCE: Basically, we begin with Jack Ryder.

Panel 9
Donna looking exasperatedly in the direction of Liger, who we once again can’t see.

VOICE (off-panel): Yeah.  Blame the media.  Way to be on-topic.  Fascist.  Yay.
 

PAGE FOUR
 

Panel 1
Donna once again looking serious, undeterred.

DONNA FORCE: Man-Bat’s assault on the White House was just his way of serving notice.

Panel 2
Same as previous panel.

DONNA FORCE: And what is Jack Ryder saying about it?  That President Reilly (who, by the way, is also the longstanding superhero known as Firehawk) probably staged the whole thing!

Panel 3
Same as previous panel.

DONNA FORCE: That it’s part of her whole plot to destabilize the country!  In collusion with foreign nationals!

Panel 4
Same as previous panel.

DONNA FORCE: But then, he’s been leaning pretty heavily on anti-superhero rhetoric in general these days, ever since the Guy Gardner incident.

Panel 5
Same as previous panel.

DONNA FORCE: Suddenly the good guys are the bad guys!

Panel 6
Donna momentarily flashes into her electric Sparx form.

DONNA FORCE: Guys!  Newsflash!  We’re superheroes!

Panel 7
Donna back in her civilian form, once again looking serious.

DONNA FORCE: We’re the good guys!

DONNA FORCE: And somebody needs to remind everyone about that.  And that’s going to be us!

Panel 8
Donna looking off to the side again, exasperated.

VOICE (off-panel): Because a bunch of activist kids is going to change everything.

Panel 9
Donna shouting in that direction.

DONNA FORCE: Liger!  It happens all the time!  Shuttup!
 

PAGE FIVE

Panel 1
Close-up of Rachel.

RACHEL ROGERSON: Okay.  We already agreed, D.C.

RACHEL ROGERSON: But what’re we gonna do?

Panel 2
Close-up of Donna again.

DONNA FORCE: Expose him.  That shit plays well these days.  Tell everyone who he really is.
 
Panel 3
Close-up of Liger.

LIGER: But…what has the Creeper actually done lately?  Who even remembers one thing the Creeper ever did?  Who’s even heard of the Creeper?

Panel 4
Close-up of Vanessa.

VANESSA HOLLY: I sorta have to agree with Liger, D.C. 

VANESSA HOLLY: How can you stoke outrage if the Creeper means nothing?

Panel 5
Close-up of Rachel.

RACHEL ROGERSON: Also, are we really going to fight outrage with outrage?

RACHEL ROGERSON: Doesn’t even outrage, at that point, become white noise?

Panel 6
Close-up of Donna, who is once again looking annoyed.

Panel 7
Same as previous panel.

DONNA FORCE: Then.  We.  Remind people.  About the Creeper.

Panel 8
Close-up of Liger.

LIGER: I never really got him.  Is he a hero?  Is he a villain?

Panel 9
Donna, still looking annoyed.

DONNA FORCE: Kind of the point, Liger.
 

PAGE SIX

Panel 1
Close-up of Rachel.

RACHEL ROGERSON: So now ambiguity is the enemy?

Panel 2
Close-up of Donna, a neutral expression on her face.

DONNA FORCE: Rachel, I…
 
DONNA FORCE: That’s not what I mean. 

DONNA FORCE: These are polarized times.  It makes sense to exploit. 

Panel 3
Same as previous panel.

DONNA FORCE: What I mean is, how are we supposed to trust someone like that?

Panel 4
Same as previous panel.

DONNA FORCE: Where’s his credibility?  If he’s trying to warn us about the dangers of, say, not knowing the president’s true agenda, or stoking paranoia about who could potentially be a White Martian, who’s he to talk, when he’s hiding something huge about himself?

Panel 5
Same as previous panel.

DONNA FORCE: Something that if pressed, even he wouldn’t be able to explain?

Panel 6
Same as previous panel.

DONNA FORCE: Isn’t it obvious?

Panel 7
Close-up of Vanessa, who’s looking more awkward than usual.

Panel 8
Same as previous panel.

VANESSA HOLLY: If it was obvious, why would it need to be exposed?

Panel 9
Same as previous panel.

VANESSA HOLLY: I mean, really?
 

PAGE SEVEN

Panel 1 (splash)
Vanessa unexpectedly (everyone, including herself, is completely surprised), has transformed into Latch, who as previously suggested is the complete opposite of her, a gorgeous woman in a traditional superheroine costume, that’s very, very pink, including her skin and hair.  It shouldn’t look exactly like Star Sapphire, although of course comparisons are going to be made.  It’s likely that the Venutian Vampire, as her alien parasite is known, is related to the Sapphires, in much the same way Golden Age Green Lantern Alan Scott is related to but not part of the Green Lantern Corps.  I also like the idea that Vanessa, like Donna earlier, seemingly isn’t in complete control of her powers, when she transforms into her superhero form.  They’re teenagers. 
 

PAGE EIGHT

Panel 1
The whole group again, this time Vanessa is once again herself and looking completely embarrassed.  Liger has a huge grin on his face.  Rachel and Donna are taking it in stride.

LIGER: Ha! 

LIGER: Way to put an exclamation point on it, Essa!

Panel 2
Vanessa is burying her face in a red plastic cup as the rest of them laugh.

Panel 3
The group has calmed down.

DONNA FORCE: Or we can do what superheroes do and go punch something.

Saturday, November 24, 2018

Crisis Weekly #6

PAGE ONE

Panel 1 (splash)
We’re inside the Oval Office.  Seated around President Lorraine Reilly (Firehawk, but still in her civilian guise) are, to her immediate right and left, Wonder Woman (wearing the cape she sometimes does, to appear more stately) and Vice President Emil Hamilton (a staple of ‘90s Superman comics and also featured in Zach Snyder’s Man of Steel, where he was played by Richard Schiff), and then Mexican Vice President Eduardo Dorado (El Dorado) next to Wonder Woman and new character Karma, an ambassador from India, next to Hamilton.  She’s dressed in formal Indian attire.  In the background is Bloodwynd, near Reilly, wearing shades to hide his eyes; looks like Secret Service.

CAPTION: The Oval Office

CAPTION: US President Lorraine Reilly (Firehawk)

CAPTION: Amazonian Ambassador Diane Prince (Wonder Woman)

CAPTION: US Vice President Emil Hamilton

CAPTION: Mexican Vice President Eduardo Dorado (El Dorado)

CAPTION: Indian Ambassador Fatima Sharma (Karma)

LORRAINE REILLY: Thank you all for coming.

LORRAINE REILLY: It’s my hope that we can stem this crisis in the bud, before it spins entirely out of control.

WONDER WOMAN: Madam President, I have little doubt that those assembled here today are among the best qualified in the world to accomplish that.  I’ve worked with and trust implicitly each of you.

TITLE: “Gimme Shelter”
WRITER: Tony Laplume
 

PAGE TWO

Panel 1
Close-up of Ambassador Sharma.

KARMA: The loss of public trust in superheroes.

KARMA: The assassination.

KARMA: The school shooting.

KARMA: The continued racial unrest within your country.

KARMA: Illegal immigration.

KARMA: This is quite an unholy conflagration you have here, President Reilly.

Panel 2
Close-up of President Reilly.

LORRAINE REILLY: You, ah, forgot about the spy problem. Iron Joe.  The matter that most unsettled public and indeed world trust in this government.

Panel 3
Close-up of Wonder Woman.

WONDER WOMAN: And the matter of the White Martians.  As a member of the Justice League, and more importantly a member when they were first encountered, the League that chose to solve that problem the way we did, I can’t help but feel personally responsible for them.

Panel 4
Close-up of Eduardo Dorado.

EDUARDO DORADO: There’s also not merely the matter of immigration itself, but the fact that my own president, the Caballero, is part of the problem.  We have an honest-to-god supervillain running things down there!
 

PAGE THREE

Panel 1
Close-up of Karma.

KARMA: Do you know why this isn’t a press conference?

Panel 2
Same as previous panel.

KARMA: Other than that asshole Jack Ryder, whom you’ve been doing everything to avoid?

Panel 3
Same as previous panel.

KARMA: Very presidential, by the way.

Panel 4
Same as previous panel.

KARMA: Because the term ‘superhero’ has become anathema.

KARMA: Because of you…Americans.

KARMA: And your allies.  Diana.

Panel 5
Same as previous panel.

KARMA: You went from leading the world.  To poisoning it.

Panel 6
Same as previous panel.

KARMA: And now it’s time for you to.  Go the way of Rome.

Panel 7
Same as previous panel.

KARMA: I’m saying, among other things.  ‘Wonder Woman’ is no longer welcome as an ambassador of.  Hope.  To the world at large.  Go play war games with the rest of the Amazons, Diana.  Wherever they are.  Hiding.

Panel 8
Same as previous panel.

KARMA: Isolated from the rest of the world.

Panel 9
Same as previous panel.  No dialogue.
 

PAGE FOUR

Panel 1
Close-up of President Reilly, looking perturbed.

LORRAINE REILLY: Ambassador Sharma.  Karma.  You can’t just sit there and…

Panel 2
Close-up of Wonder Woman, looking unsettled.

WONDER WOMAN: Actually, she can, Madam President.

WONDER WOMAN: She’s right.

WONDER WOMAN: I’m not bigger than any of this, and right now…I’m doing more harm than good.  After the Lord scandal…I don’t know how…

WONDER WOMAN: Even superheroes are accountable.  That’s what I’m saying.

Panel 3
Close-up of Vice President Hamilton.

EMIL HAMILTON: I hate to agree with Ambassador Sharma’s…harsh assessment, Madam President, or suggest that Wonder Woman, of all people, should be chastened, but let’s face it: sometimes the best response to a bad hand is to…fold. For the time being.

EMIL HAMILTON: The Justice League has been silent.  No one’s heard a word from Superman himself.

EMIL HAMILTON: The good guys already made up their mind.  They listened to the public.  And the public is angry, Madam President. 

Panel 4
Close-up of Dorado, who looks incredulous.

EDUARDO DORADO: President Reilly, Lorraine, you can’t just…

EDUARDO DORADO: Are you guys being serious?

EDUARDO DORADO: What happens when the good guys admit defeat?

EDUARDO DORADO: In the middle of a crisis?
 

PAGE FIVE

Panel 1
Close-up of Reilly, with Bloodwynd behind her, reacting to something we can’t at the moment see, looking off to the side and above.  Reilly is exhibiting new resolve.

LORRAINE REILLY: We’re not admitting defeat, Eduardo.

Panel 2
Close-up of Bloodwynd, still looking at something we can’t see, but the dialogue makes clear.

BLOODWYND: No.  Not now.

BLOODWYND: The bats, Madam.

Panel 3
The group all together again as they all look in the same direction as Bloodwynd, where there’s a flood of bats, more than we’ve seen in any one image since the page full of them back in the first week.  Everyone is united in horror.

EMIL HAMILTON: How did they get…?

Panel 4
At last we see our second of the two major villains of Crisis Weekly: Man-Bat!  He emerges from behind the flood of bats in attack mode.

MAN-BAT: You’ve been compromised!
 

PAGE SIX

Panel 1
Sharma is switching into costume, which is like the goddess mode of her civilian appearance, including the multiple arms of the Hindu god Ganesh.  Wonder Woman is drawing her sword.  We finally see Reilly burst into Firehawk, though Bloodwynd, who has removed his shades, is standing in front of her, his eyes smoldering red flames.  Dorado is removing his sport coat, under which we can see El Dorado’s cape.  Hamilton is, naturally, behind all of them.

Panel 2
Wonder Woman is charging ahead of the others toward Man-Bat.

Panel 3
The bats are surrounding Wonder Woman now, flooding her.  We can barely make her out.  She’s throwing her arms up in protection.

Panel 4
With one blow, Man-Bat knocks Wonder Woman aside.  Her sword is, additionally, falling out of her hand.

WONDER WOMAN: Ahh!
 

PAGE SEVEN

Panel 1 (splash)
Karma is unleashing a concussive blast of light against Man-Bat.  One of the immediate effects we can see on the page is that the bats are in retreat.

KARMA: Allow me.
 

PAGE EIGHT

Panel 1
Smoke is billowing around the Oval Office.  Wonder Woman is struggling to get back up.  Karma stands triumphant.  Bloodwynd has backed off Reilly, who still appears as Firehawk.  Further off we see Eduardo cloaked in the cape of El Dorado, obviously ready to take Firehawk elsewhere, clutching the sides of the cape, staring at Karma.  No sign of Man-Bat or his bats.

KARMA: There, you see?

Panel 2
Karma is offering her hand to Wonder Woman.

KARMA: The enemy is in retreat.

Panel 3
Eduardo, still looking less than satisfied, is closing his cape around himself and is already vanishing.  His word bubble is in small letters.

EDUARDO DORADO: Forgive me if I am not relieved.

Panel 4
Karma has now pulled Wonder Woman to her feet.

KARMA: A new day has dawned.

Panel 5
Karma is returning to her civilian guise.

KARMA: The rules are changing.

Panel 6
Firehawk has likewise changed back into Reilly.  Bloodwynd stands beside her.  He doesn’t look any more pleased about all this than Eduardo.

KARMA (off-panel): And we’re all going to have to adjust accordingly.